All in the Golden Afternoon- English Rose from Alice in Wonderland. Based on Marianne Faithfull. Pencil and watercolor on thick Canson Acrylic 185 lb/400 g paper. She is sealed with Krylon Matte Finish spray. Available in my shop~
I first read Alice when I was 8. My school library had a volume with both Wonderland and Looking Glass in it. Of the 2, Looking Glass was my favorite and inspired me to play chess with my brother non stop. I’ve drawn quite a bit of Alice’s world over the years and I keep coming back to a wonderful mash up of 60s mod/psychedelic England. That inspired me to draw a lovely Wonderland Rose that bears a resemblance to the amazingly talented Marianne Faithfull. If you love the 60s I highly recommend her autobiography.
Most of my inspiration for my painting “Sirin” came from my general love of Russian Fairytales and Medieval painting. I spent a lot of time looking at 3 books I have on Russian Lacquer Miniatures. The art is usually on a black background with strong red and orange colors, with some lovely blue and green accents. This one in particular was very inspiring- “Sleeping Beauty.”
But I also used a few Pinterest pictures for reference and keeping me on track. With children about, I’ve found it easier to have a board rather than my usual pile of books. I still work with books of course, but I’m able to cut down on how high the stack gets by having my board up on the computer. –I made a separate board called, “Sirin.” At the top you have the “Maiden Tsar” from the Russian animated film, “The Magic Pony.” When I was a child, they used to show this movie all the time on KTLA’s Sunday Family Film Festival. In what seemed like a sea of wide eyed blonde princesses, she was a lonely island. Between her brown hair and her long, dark eyes with heavy eyeliner, she hit every mark on my childhood “pretty” target. Everything in this film is gorgeous. Don’t even get me started on the horses! Below, the two Ivan Bilibin pictures, as well as the image between them were helpful in my process of narrowing down my colors. I briefly considered a cream background. You’ll notice the Sirin on the left is holding a flower. She is proably a Gamayun, which were more likely to be shown with arms in addition to wings. I found this picture after I’d made my final sketch, but I still feel quite indebted to it. I gave my Sirin a sunflower to tie her to the Slavic solar god, (Dazbod or Belobog) as well as possible slavic solar symbols embroidered on her headdress.
Unfortunately Slavic mythology is still much of a mystery. A few beliefs which used to be taken for granted, like the Belobog/Chernobog dualism, are now questioned. (You may remember Chernobog from Fantasia’s amazing “Night on Bald mountain”.)
(PS- This is not a Danzig logo)
The Sirin in the center, with the red sun stayed with me, because for many decades I’ve had a reoccurring dream of a world lit by a black sun, black, not red like this picture- a sun that looks like an eclipse. The last time I started having the dream again was when I first got sick in the Fall of 2015. I made a few drawings and took some reference photos, but they’re somewhat sad and make me uncomfortable. It’s still there sometimes, that world lit by a black sun.
Russian headdresses, often called kokoshniks, vary from region to region. I have a little notebook with all the ones I’ve collected so far which I’d love, time permitting to turn into little paintings. Headdresses from the north usually feature freshwater pearls, while those from the south are more likely to have copious amounts of gold embroidery. I chose the more crown-like one on the upper right as my main inspiration. I loved the contrast of the blue ribbon and gold embroidery on the bottom left, which I incorporated, changing the blue to pale green. The totally bonkers beautiful bird woman in “Sadko” makes me want to track that movie down. The colors in the center picture made me change the background from black to a softer grey. The “Last Unicorn” has been on my perma watch list this winter. Amalthea has the best hair in animation, along with Aurora. The bottom center picture is a favorite of mine- midcentury art is the last time we saw art with small, dark eyes on a regular basis. Not soon after this, the adorable Dollybird’s with their saucer eyes began their beauty domination. And finally the amazing iridescence of raven wings. It helped me to be brave and add blue and green to the wings.
I have plans and sketches for more, but next I’d like to finish and paint my wolf girl sketches from November. Then, perhaps I’ll return to the “Land Beyond the Blue Mountains.”
“Twinkle, twinkle, little bat!
How I wonder what you’re at!
Up above the world you fly,
Like a tea tray in the sky.
Twinkle, twinkle, little bat!
How I wonder what you’re at!”
As I mentioned before, Elstir is supposedly an Irish version of Esther, which means “star”. I like that she’s my dark star. I finally scanned her in and tried to color correct her so that she’s close to her real colors, at least on my mac. And to wrap this painting up, here is a collection of my Elstir wips that were originally on Instagram~
I finally finished Elstir. She started as a postcard for the Bat World Sanctuary charity. I liked the drawing so much that I really wanted to make it into a painting. I’ll eventually scan her in and add her to my portfolio, but until then I took some photos. The top picture is the closest to her actual color- at least it is on my mac screen. The middle one isn’t too far off, but the third one I had to angle a bit because I wanted to try and photograph the gold paint, which is no easy task. Now I know why some of Klimt’s paintings look marvelous and some look terrible. When I captured the gold, the rest of the picture bleached out, but when I got the rest of the picture, the gold disappeared. Oh well. She’s lovely in person. Well, as lovely as a monster can be, I suppose 🙂
gouache, acrylic, white charcoal, and gold paint
12″ x 16″
I wanted a name that meant “star” and stumbled upon an Irish version of “Esther,” which is “Elstir.” I already had decided that her bat ears would be wrapped like double hennins. She wears a thick medieval style crown with a bat cameo in the center. She has a shear white veil embroidered in gold stars and gold edging. Her eye makeup is actually a very deep blue.
Painting wise, I’m very satisfied with her. She hits that sweet spot that I was trying to express- my love of medieval illuminations, like “Tres Riches Heures,” Russian miniature lacquer box art, Andrew Wyeth’s lovely tempura paintings with their delicate hatching, Van Gogh’s beautiful movement, every Pre-Raphaelite ever, and obviously my beloved Klimt. Klimt with his long necked, long fingered women who are either beautiful or ugly, depending on who you ask.
I learned something very, very important from this painting, and that is, that I have to make smaller paintings. Elstir is 12″ x 16″ and she took a long time due to my meticulous painting style. My next paintings and drawings are all 9″ x 12″, like “Roxanne.” I do wish I could paint looser and in a smoother manner, but it doesn’t please me personally. Whenever I’ve painted in a smoother style things start to feel too soft and rubbery. I like all the hard little lines, imperfectly blending when you’re close. They give my eyes something to grab on to. It’s very much like the sensation I have when I watch the sea or a great mass of trees on a hill. I never get tired of looking at all the tiny colors.
Unf- I love Camille Rose Garcia. Her art reminds me of lost Fleischer cartoons. I have her version of Alice in Wonderland (so incredibly acid pastel that it hurts my eyes) but the colors in Snow White are more to my taste. I love when books have details like this- the cloth bound cover is printed.
The book was designed by Roberto de Vicq de Cumptich and it’s amazing. Amazing! So is his name. I thought maybe it was made up, but it looks legit!
She has a version of Cinderella that she’s been working on and posting wips on her Instagram. No word on when it’s due to be released, but it looks delightful as well!