Before Pinterest I used to have stacks of paper all over. I’ve written before about how Pinterest’s feed change made it useless, but it’s still very useful if you actually need a place to store images.
The idea, drawing, and color palette for Elstir came first. But afterwards I went through some of my favorite boards, like Magick and Princess Witch Palette so I would have a concise (for me) set of images to keep me on track through painting. Even though I painted her in September and October, I feel like Elstir is more of a Winter painting than and Autumn painting. Now that we are back from a ridiculously terrible family Thanksgiving trip, I can finally look through my sketches to see what to do next. Ideally I’d like to finish a couple of drawings before I start another paintings, but we’ll see ;D
I finally finished Elstir. She started as a postcard for the Bat World Sanctuary charity. I liked the drawing so much that I really wanted to make it into a painting. I’ll eventually scan her in and add her to my portfolio, but until then I took some photos. The top picture is the closest to her actual color- at least it is on my mac screen. The middle one isn’t too far off, but the third one I had to angle a bit because I wanted to try and photograph the gold paint, which is no easy task. Now I know why some of Klimt’s paintings look marvelous and some look terrible. When I captured the gold, the rest of the picture bleached out, but when I got the rest of the picture, the gold disappeared. Oh well. She’s lovely in person. Well, as lovely as a monster can be, I suppose 🙂
gouache, acrylic, white charcoal, and gold paint
12″ x 16″
I wanted a name that meant “star” and stumbled upon an Irish version of “Esther,” which is “Elstir.” I already had decided that her bat ears would be wrapped like double hennins. She wears a thick medieval style crown with a bat cameo in the center. She has a shear white veil embroidered in gold stars and gold edging. Her eye makeup is actually a very deep blue.
Painting wise, I’m very satisfied with her. She hits that sweet spot that I was trying to express- my love of medieval illuminations, like “Tres Riches Heures,” Russian miniature lacquer box art, Andrew Wyeth’s lovely tempura paintings with their delicate hatching, Van Gogh’s beautiful movement, every Pre-Raphaelite ever, and obviously my beloved Klimt. Klimt with his long necked, long fingered women who are either beautiful or ugly, depending on who you ask.
I learned something very, very important from this painting, and that is, that I have to make smaller paintings. Elstir is 12″ x 16″ and she took a long time due to my meticulous painting style. My next paintings and drawings are all 9″ x 12″, like “Roxanne.” I do wish I could paint looser and in a smoother manner, but it doesn’t please me personally. Whenever I’ve painted in a smoother style things start to feel too soft and rubbery. I like all the hard little lines, imperfectly blending when you’re close. They give my eyes something to grab on to. It’s very much like the sensation I have when I watch the sea or a great mass of trees on a hill. I never get tired of looking at all the tiny colors.
After 8 years of vegetarianism I’ve started eating meat again thanks to my gluten intolerance. I’m also not able to eat tofu, so it was kind of a done deal for me. But I have conflicting feelings about it. I don’t generally talk about it unless asked but, I became a vegetarian because I’m not in favor of factory farming practices. I think it’s bad all the way around. Bad for the animals, bad for the taste of the meat, bad for the workers, and generally bad for the environment. But I’ve also been open to the possibility of having to eat meat sometime in the future due to health reasons. I’ve known a few vegetarians who had to start eating meat post menopause because their bodies just weren’t able to extract what they needed from plants anymore- and I’m talking dedicated, lifelong vegetarians. But I assumed that day would be far in the future if it ever came at all.
As for my husband, he thinks it’s really gross. He’s been a vegetarian and occasional vegan since he was 16. I’m pretty sure it’s like finding out that your wife was bitten by a werewolf. I mean technically it’s a medical situation- and I won’t get too personal with the details, but eating gluten free with no tofu was making me really sick in a totally different way. After my hair started falling out and my weight went into free fall it was actually my husband’s idea for me to start eating meat. Luckily my health has stabilized, but it’s still an adjustment for him. He’s not going full Darrin Stephens here, but he’s trying. He didn’t even get grossed out last night even though I reeked of bacon.
In case you’re wondering, eating meat is not super duper the bestest thing ever. It’s definitely been nice to have some variety, taste wise, but it’s not so fucking spectacular that I regret my vegetarian. I’d rather stuff my face with cookies and bread, but that ship has sailed. And eating the gluten free versions too often hurts my stomach, so it’s pretty much a twice monthly thing. They don’t give me a reaction, just a general feeling of being a child that ate too much candy. The thing eating meat has helped with is a feeling of fullness. I was just hungry all the time. All the frickin time. Like a crazy, “I want to eat your face!” kind of hunger. But it’s better now.
Btw- here’s a selfie of me at Five Guys-
I had an amazing time doing Drawlloween. It helped me loosen up and be less self conscious about posting sketches and off the cuff drawings. As soon as I finish painting “Elstir” I have a couple of these to refine and paint. I found it deeply inspiring and over all so much fun. And, it looks like I’m not the only one mourning the end of Drawlloween. The wonderful Hoap put together an awesome Dravember list.
But first, my Drawlloween drawings~
“Haunted House” -Crimson Peak -I finally saw Crimson Peak. It’s basically a mash up of Fall of the House of Usher and Rebecca, which means I liked it. Nothing groundbreaking- but the costumes and sets are top notch. It’s definitely set in Del Toro’s universe and follows its rules, which is cool. I did find the story and characterization to be a little too slight. I thought that worked for Pacific Rim(one of my favorites) bc that’s essentially an amine that happened to be live action. But I would have liked more backstory on the Sharpes.
“Mask” – another old one from about 15 years ago. This is pretty much the genesis of me putting animal masks on people. The front is a cross between a noh mask and a kitsune, while the back is a storm spirit.
“Addams Family”- “Morticia and Ophelia” -I wanted to show Morticia and her little known older sister Ophelia as teens. This would be shortly before they met Gomez. Ophelia was initially betrothed to Gomez, but he fell in love with Morticia. Ophelia was decidedly NOT brokenhearted. I gave them vaguely late 60s Biba era dresses, with Morticia’s dress being a nod to how she dresses her daughter, Wednesday.
“Witch” – I ended up posting 2 for Witch- “Striga” and “The Great God Pancake”. I have more witch drawings than I know what to do with! “Black Cat” -I haven’t been since they changed it, but the original painting featured a beautiful woman who partially turns into a panther. I can still remember how beautiful her white dress was and how deeply thrilling it was to see her change. And finally, “Skull” – Like everyone else from my generation I discovered the Death’s Head Moth courtesy of “Silence of the Lambs”. But, fun fact, there are different varieties of the Death Head’s moth and one of them is Acherontia Atropos. Acheron is a river in the Greek underworld, and Atropos is the Fate that cuts the thread of life. I’d like to do a painting of this one once I work out the kinks in the drawing. Her right hand holding the stork shears needs to be moved and redrawn.
And now I’m on to Drawvember!