Coppola and Eiko on Bram Stoker’s Dracula, part 1.
This movie introduced me to the work of Eiko Ishioka, costume designer extraordinaire. Coppola’s Dracula has problems, mostly stemming from the stilted acting of Reeves and Ryder (I still remember the horror of realizing that Ryder had limited range. Up till then, she was my favorite actress), and the intentional hamminess of the rest of the cast. It also introduced me to Gary Oldman. Although I had seen “Sid and Nancy,” Oldman’s submersion into Vicious’s persona was so complete I overlooked him (I was a Johnny Rotten fan anyway). But with Dracula, I sat in the theater spellbound. A quarter of the way through the film I looked at my sort of boyfriend sitting next to me and realized that our relationship wasn’t going to be long term. He was a total Harker and I wanted Dracula. I wanted a consuming love that would cross oceans of time for me. That level of craziness would characterize all of my subsequent relationships. I’m an emotionally reserved person and it takes serious devotion to lure me into expending any actual emotion.
“The luckiest man who walks on this earth is the one who finds true love.”
Coppola wanted Eiko’s costumes to be the scenery. Her artistry tells more about the characters than script.
“What devil or witch was ever so great as Attila whose blood flows through these veins?”
“I never drink… wine.”
“Do you think you can destroy me with your idols? I who served the cross, I who commanded nations, hundreds of years before you were born?”